Women's Experimental Cinema Critical Frameworks Book ì 432 pages Download ☆ Robin blaetz


Text Women's Experimental Cinema Critical Frameworks

Women's Experimental Cinema Critical Frameworks Book ì 432 pages Download ☆ Robin blaetz ´ Women’s Experimental Cinema provides lively introductions to the work of fifteen avant garde women filmmakers some of whom worked as early as the 1950s and many of whom are still workinTicularly the history of the American avant gardeThe contributors examine the work of Marie Menken Joyce Wieland Gunvor Nelson Yvonne Rainer Carolee Schneemann Barbara Rubin Amy Greenfield Barbara Hammer Chick Strand Marjorie Keller Leslie Thornton Abigail Child Peggy Ahwesh Su Friedrich and Cheryl Dunye The essays highlight the diversity in these filmmakers’ forms and methods covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth 1963 and how Dunye uses film to explore her own identity as

Women's Experimental Cinema Critical FrameworksTicularly the history of the American avant gardeThe contributors examine the work of Marie Menken Joyce Wieland Gunvor Nelson Yvonne Rainer Carolee Schneemann Barbara Rubin Amy Greenfield Barbara Hammer Chick Strand Marjorie Keller Leslie Thornton Abigail Child Peggy Ahwesh Su Friedrich and Cheryl Dunye The essays highlight the diversity in these filmmakers’ forms and methods covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth 1963 and how Dunye uses film to explore her own identity as

Text ´ Women's Experimental Cinema Critical Frameworks Ö Robin Blaetz

Women's Experimental Cinema Critical Frameworks à Women’s Experimental Cinema provides lively introductions to the work of fifteen avant garde women filmmakers some of whom worked as early as the 1950s and many of whom are still working today In each essay in this collection a leading film scholar considers a single filmmaker supplying biographical information analyzing various influences on her work examining the development of her corpus and interpreting a significant number of individual films The essays rescue the work of critically neglected but influential women filmmakers for teaching further study and hopefully restoration and preservation Just as importantly they enrich the understanding of feminism in cinema and expand the terrain of film history par Text ´ Women's Experimental Cinema Critical Frameworks Ö Robin Blaetz

Robin Blaetz Ö Women's Experimental Cinema Critical Frameworks Reader

Robin Blaetz Ö Women's Experimental Cinema Critical Frameworks Reader A black lesbian artist At the same time the essays reveal commonalities including a tendency toward documentary rather than fiction and a commitment to nonhierarchical collaborative production practices The volume’s final essay focuses explicitly on teaching women’s experimental films addressing logistical concerns how to acuire the films and secure proper viewing spaces and extending the range of the book by suggesting alternative films for classroom use Contributors Paul Arthur Robin Blaetz Noël Carroll Janet Cutler Mary Ann Doane Robert A Haller Chris Holmlund Chuck Kleinhans Scott MacDonald Kathleen McHugh Ara Osterweil Maria Pramaggiore Melissa Ragona Kathryn Ramey M M Serra Maureen Turim William C Wee